Creative Commons License
Portrait of a Woman
(Baroque Europe )
The identical silver filigree frame on these three portraits (including 38.209 and 38.516) indicates that they are a unit, possibly a family. Nevertheless, the man's portrait was probably by a different hand than that responsible for the women's. The loose, spirited execution of the man's hair and softer modeling point to the influence of more progressive developments in life-size portraiture, in contrast to the tighter modeling and conservative dress in the portraits of the women.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Abraham Jay Fink, Baltimore [no. A-97]; A. Jay Fink Foundation, Inc., 1963, Baltimore, by bequest; Walters Art Museum, 1963, by gift.
Conservation
| Date | Description | Narrative |
|---|---|---|
| 12/20/1963 | Treatment | loss compensation; cleaned; coated; mounted |
| 4/29/1964 | Treatment | other |
Geographies
Netherlands (Place of Origin)
Measurements
1 3/4 in. (4.45 cm)
Credit Line
Gift of the A. Jay Fink Foundation, Inc., in memory of Abraham Jay Fink, 1963
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
38.210
