Creative Commons License
Portrait of a Woman
(Baroque Europe )
The identical silver filigree frame on these three portraits (including 38.209 and 38.516) indicates that they are a unit, possibly a family. Nevertheless, the man's portrait was probably by a different hand than that responsible for the women's. The loose, spirited execution of the man's hair and softer modeling point to the influence of more progressive developments in life-size portraiture, in contrast to the tighter modeling and conservative dress in the portraits of the women.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Abraham Jay Fink, Baltimore [no. A-97]; A. Jay Fink Foundation, Inc., 1963, Baltimore, by bequest; Walters Art Museum, 1963, by gift.
Conservation
| Date | Description | Narrative |
|---|---|---|
| 12/20/1963 | Treatment | loss compensation; cleaned; coated; mounted |
| 4/29/1964 | Treatment | other |
Geographies
Netherlands (Place of Origin)
Measurements
1 3/4 in. (4.45 cm)
Credit Line
Gift of the A. Jay Fink Foundation, Inc., in memory of Abraham Jay Fink, 1963
Location in Museum
Charles Street: Second Floor: 17th-Century Dutch Cabinet Rooms
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
38.210
