Description Barye has traced the outlines of the equestrian statuette, Charles VII, on a pedestal (Walters 27.164). He has not fully aligned the tracing over the paper and as a result, the horse's left forefoot is not placed squarely on the top of the pedestal. At one side is a freely rendered sketch of a tazza, a Renaissance-style flat dish with deer's-hoof feet.
|1/01/2002||Treatment||examined for exhibition; cleaned; loss compensation; repaired; other|
- Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. 2007-2008.
Provenance Mme Vildieu-Barye; Fabius Frères, Paris; Walters Art Museum, 1949, by purchase.
Credit Museum purchase, 1949
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