Brooch Watch
The gold case of this brooch is rectangluar with cut (champhered) corners and is bordered with small pearls. Inset in the blue steel face are the watch dail and a balance set with brilliants.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Anatole Demidoff, Prince of San Donato (1812-1870) [date and mode of acquisition unknown]; Sale, Tiffany & Co., New York, 1893, lot 46; Henry Walters, Baltimore, 1893, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
1984-1987 | Objects of Adornment: Five Thousand Years of Jewelry from the Walters Art Gallery, Baltimore. Cooper-Hewitt National Design Museum, New York; Chrysler Museum of Art, Norfolk; Carnegie Museum of Art, Pittsburgh; San Antonio Museum of Art, San Antonio; Philbrook Museum of Art, Tulsa; Honolulu Academy of Arts, Honolulu; New Orleans Museum of Art, New Orleans; Milwaukee Art Museum, Milwaukee; Minneapolis Institute of Art, Minneapolis; Toledo Museum of Art, Toledo; The John and Mable Ringling Museum of Art, Sarasota. |
1987 | Jewelry from the Walters Art Gallery and the Zucker Family Collection. The Walters Art Gallery, Baltimore. |
1979-1980 | Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore. |
Geographies
Switzerland, Geneva (Place of Origin)
Measurements
1 in. (2.6 cm)
Credit Line
Acquired by Henry Walters, 1893
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
58.53