Description The Christ Child touches his mother's chin with a gesture of affection that was probably inspired by 15th-century Italian paintings then greatly admired at the Ethiopian royal court. Victorious saints on horseback had great appeal for the upper classes of Ethiopia, where noblemen were trained in horsemanship and combat. The artist is most likely a follower of Fre Seyon, the celebrated 15th-century painter who left only one signed work.
- Ethiopian Art at The Walters. The Walters Art Gallery, Baltimore. 1996.
- Angels of Light: Ethiopian Art from the Walters Art Museum. Birmingham Museum of Art, Birmingham; Smith College Museum of Art, Northampton; Museum of Biblical Art, New York. 2006-2007.
Provenance AXIA ART Ltd., London [date and mode of acquisition unknown]; Robert and Nancy Nooter Collection, Washington, D.C., October 1992, by purchase; Walters Art Museum, 2001, by purchase.
Credit Museum purchase, the W. Alton Jones Foundation Acquisition Fund, 2001, from the Nancy and Robert Nooter Collection
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