Cylinder Seal with a Presentation Scene

This seal features a worshipper, possibly a king, following an interceding goddess or a fellow worshipper. These figures stand before a seated deity, possibly Ishtar, who holds a chaplet of beads. A crescent, a seven pointed star, and a sacred tree decorate the space between the deity and her worshippers. The two standing figures hold one arm raised above the other. The king holds a ring and rod in his lower hand, symbols of kingship.

Cylinder seals are cylindrical objects carved in reverse (intaglio) in order to leave raised impressions when rolled into clay. Seals were generally used to mark ownership, and they could act as official identifiers, like a signature, for individuals and institutions. A seal’s owner rolled impressions in wet clay to secure property such as baskets, letters, jars, and even rooms and buildings. This clay sealing prevented tampering because it had to be broken in order to access a safeguarded item. Cylinder seals were often made of durable material, usually stone, and most were drilled lengthwise so they could be strung and worn. A seal’s material and the images inscribed on the seal itself could be protective. The artistry and design might be appreciated and considered decorative as well. Cylinder seals were produced in the Near East beginning in the fourth millennium BCE and date to every period through the end of the first millennium BCE.

Provenance

Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.

Henry Walters, Baltimore, [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.