Portrait of Henry Walters
(18th and 19th Centuries )
In this posthumous portrait the founder of the Walters Art Museum, Henry Walters (1848-1931), is shown with three objects from his collection: a Mosan enamel plaque of the 12th century (44.101), a Limoges enamel reliquary of the 13th century (44.78), and a German brass statuette of St. Sebastian of the early 16th century (53.34). Henry is shown wearing the same stick-pin decorated with a Carthaginian stater that appears in another posthumous portrait commissioned from Frank O. Salisbury (37.2000). This stick-pin is now in the museum's collection (59.699).
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Walters Art Museum, 1938, by commission from the artist.
Exhibitions
2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
2012 | Touch and the Enjoyment of Sculpture: Exploring the Appeal of Renaissance Statuettes. The Walters Art Museum, Baltimore. |
1995 | The Allure of Bronze. The Walters Art Gallery, Baltimore. |
Geographies
USA (Place of Origin)
Measurements
H: 45 11/16 x W: 38 9/16 in. (116 x 98 cm)
Credit Line
Commissioned from the artist, 1938
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1682