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Lekythos with Three Amazons Thumbnail
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Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail
Lekythos with Three Amazons Thumbnail

Lekythos with Three Amazons

Beldam Painter (Greek, active ca. 500-450 BCE) (?) (Artist)
ca. 500 BCE (Archaic)
terracotta, wheel made; black figure with white paint
(Ancient Greece )

Three Amazons on this black-figure lekythos face right, and appear to march one after the other. Their skin is white, but their facial features, eroded or rubbed away, are indistinguishable. Each wears a helmet, holds a long spear and has a horizontal quiver. The middle figure holds both hands near her waist; the other two have one hand raised.

Amazons are first mentioned in the "Iliad" (6.186) as allies of the Trojans; later authors emphasize their fearlessness and their status as foreigners. They were introduced on Attic vases in the early 6th century BC, and quickly became a popular subject. Early black-figure depictions of Amazons resemble Greek warriors, with one notable difference-their white skin color, which identifies them as "women." In red-figure vases, the Amazons acquire more feminine features and bodies, and their foreigness is emphasized by their attire: Scythian or Thracian clothing and subsequently Persian garb.

In some places in Greece, Amazons were the object of cult. Jennifer Larson (1995, 111-16) has suggested that despite the fact that they were considered hostile to the Greeks, their complete otherness from the Greek way of life also gave them protective powers and entitled them to be worshiped as heroines.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Joseph Brummer, New York [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1924, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2009-2011 Heroes: Mortals and Myths in Ancient Greece. The Walters Art Museum, Baltimore; Frist Center for the Visual Arts, Nashville; San Diego Museum Of Art, San Diego; Alexander S. Onassis Public Benefit Foundation (USA), New York.

Conservation

Date Description Narrative
2/26/1974 Treatment reconstructed; loss compensation
9/19/2007 Treatment technical analysis; stabilized; loss compensation
2/3/2011 Treatment stabilized
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Geographies

Greece, Attica (Place of Origin)

Measurements

H: 8 1/16 x Diam: 2 3/8 in. (20.5 x 6 cm)

Credit Line

Acquired by Henry Walters, 1924

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.249

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600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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