Lake Scene

Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference.

"The most favorable time to view these Lakes (to an artist especially) was early in the morning or towards sunset;- at these times one side or the other would be thrown into deep purple masses, throwing great broad shadows, with sharp light glittering on the extreme tops,- while the opposite mountains received its full complement of awrm, mellow & subdued light;- thus forming a chiaro obscuro and contrast most essential to the picturesque in color:- an attempt has been made to reach this in the sketch. This was the only lake we saw that had an island;- the scene in reality was charming, but would have required the pencil of Satnfield, Turner, or Church in giving it due effect and rendering it complete justice. Patiently it awaits the coming man." A.J. Miller, extracted from "The West of Alfred Jacob Miller" (1837).

In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.

Inscription

Provenance

Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.

William T. Walters, Baltimore, 1858-1860, by commission; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.