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Virgin and Child
In this piece, the Madonna balances the Christ Child on her knee as she extracts an apple from a basket of fruit at her feet. At the left, an angel also presents a fruit.
This relief has been associated with a south Italian, late Baroque tradition of miniature ivory carving represented by such intricate compositions as the Last Judgment in the Galleria Nazionale, Palermo, and the Immaculate Conception and Assumption of the Virgin in the Victoria and Albert Museum, London. A more modest example of work in this same tradition is the small relief of the Adoration of the Shepherds in the Vatican Museum.
Except for the angel's wing, which is fastened by a dowel, this composition was carved from a single piece. An empty dowel-hole on the angel's left shoulder indicates that there was another wing, now lost.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Geographies
Italy, Naples (Place of Origin)
Measurements
H: 1 5/8 in. (4.2 cm)
Credit Line
Acquired by Henry Walters with the Massarenti Collection, 1902
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
71.585