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Figure from a Crucifix
(18th and 19th Centuries )
The naive treatment of this crucifix suggests a provincial, perhaps Philippine, origin. Disregard for anatomical exactitude is apparent in the rendering of the attenuated torso and the bowed legs. The spindly arms have been carved separately and attached. The cloth falls in schematized folds around the loins.
The Walters crucifix has suffered damage most notably in the hands; three fingers have been broken on the figure's right hand and all five on the left. A large hole drilled in the head may have contained a dowel for attaching a halo. Also, although no traces survive other than the tinting of the hair, the figure originally may have been polychromed.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. / Henry Walters Collection, Baltimore [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.
Conservation
| Date | Description | Narrative |
|---|---|---|
| 3/22/1961 | Treatment | cleaned; mounted |
Geographies
Philippines (Place of Origin)
Measurements
11 1/16 in. (28.1 cm)
Credit Line
Acquired by William T. or Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
71.492