Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for The Forsaken Merman
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for The Forsaken Merman
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for The Forsaken Merman
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
The Forsaken Merman Thumbnail
The Forsaken Merman Thumbnail
The Forsaken Merman Thumbnail
The Forsaken Merman Thumbnail
The Forsaken Merman Thumbnail
The Forsaken Merman Thumbnail

The Forsaken Merman

The Guild of Women Binders (Publisher)
Matthew Arnold (British, 1822 - 1888) (Author)
Florence de Rheims (?) (Binder)
1901
ink on parchment bound between boards covered with goatskin and gold
(Manuscripts and Rare Books)

The Guild of Women Binders was established by London bookseller Frank Karslake (1851–1920) to provide educated women with a respectable means of employment and a venue for artistic expression. Guild members followed the aesthetic and moral principles of William Morris (1834–96) and the Arts and Crafts movement, championing the creation of beautiful, hand-made objects over commercially mass-produced ones. This binding of hearts and tulips, although not signed by her, is thought to have been made by Florence de Rheims.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Acquired by Henry Walters, Baltimore, before 1931; Walters Art Museum, 1931, by bequest.

Exhibitions

2013-2014 Bookbindings from the Gilded Age. The Walters Art Museum, Baltimore.
Share
  • social-item
  • social-item
  • social-item

Geographies

United Kingdom, England, London (Place of Origin)

Measurements

H: 5 5/8 × W: 7 1/8 × D: 1/2 in. (14.29 × 18.1 × 1.27 cm)

Credit Line

Acquired by Henry Walters, before 1931

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

92.677

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios