Creative Commons License
The Princesses of the Seven Pavilions Bow in Homage to Bahram Gur
In this 16th-century illustration of the five poems of the medieval Indian poet Amir Khusraw Dihlavi, the princesses of the seven pavilions bow before the 5th-century Persian prince Bahram Gur. Through an edifying tale, each of them will lead Bahram on a journey from being a pleasure-seeking prince to a wise and just king. Gardens figure largely in the instructive stories told by the princesses as places where the hero learns an important lesson.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Muhammad Zaki, 1241 AH/AD 1825-1826 [mode of acquisition unknown] [oval seal, fols. 1a, 211a]; 'abd al-raji Muhammad Shafi', 1247 AH/AD 1831-1832 [mode of acquisition unknown] [rectangular seal fols. 1a, 211a]; Muhammad 'Ali [date and mode of acquisition unknown] [large oval seal with no date on fol. 211a]; Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2012 | Paradise Imagined: Images of the Garden in the Islamic and Christian World. The Walters Art Museum, Baltimore. |
| 2005-2006 | Pearls of the Parrot of India: The Emperor Akbar's Illustrated "Khamsa," 1597-1598. The Walters Art Museum, Baltimore; The Metropolitan Museum of Art, New York. |
Geographies
Pakistan, Lahore (Place of Origin)
Measurements
H: 11 1/4 x W: 7 1/2 in. (28.5 x 19 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.624.182B
