Description Extracts from Alfred Jacob Miller’s original text, which accompanied his images of Native Americans, are included below for reference. The principal lodge, says Miller, is sixty to seventy feet in diameter with a domelike roof perhaps forty feet high in the center. The only light comes through a six-foot aperture at the top, which also permits the smoke to escape. Miller compared the whole effect to the Pantheon at Rome. Extracted from "The West of Alfred Jacob Miller" (1837). In July 1858 William T. Walters commissioned 200 watercolors at twelve dollars apiece from Baltimore born artist Alfred Jacob Miller. These paintings were each accompanied by a descriptive text, and were delivered in installments over the next twenty-one months and ultimately were bound in three albums. Transcriptions of field-sketches drawn during the 1837 expedition that Miller had undertaken to the annual fur-trader's rendezvous in the Green River Valley (in what is now western Wyoming), these watercolors are a unique record of the closing years of the western fur trade.
|8/11/1981||Examination||examined for exhibition|
- Alfred Jacob Miller: An Artist on the Oregon Trail. The Walters Art Gallery, Baltimore; Amon Carter Museum, Fort Worth; Buffalo Bill Historical Center, Cody. 1981-1982.
- Alfred Jacob Miller: Watercolors and Drawings. The Walters Art Gallery, Baltimore. 1984.
- Alfred Jacob Miller: Maryland and the West. The Walters Art Gallery, Baltimore; Washington College, Chestertown; Frostburg State University, Frostburg; Jewish Community Center of Greater Washington, Rockville. 1988.
- Alfred Jacob Miller and the Western Indians. The Walters Art Museum, Baltimore. 2006.
Provenance William T. Walters, Baltimore, 1858-1860, by commission; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Credit Commissioned by William T. Walters, 1858-1860
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