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Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail
Along the River During the Qingming Festival Thumbnail

Along the River During the Qingming Festival

Chinese (Artist)
18th century (Qing dynasty)
ink and colors on silk and gold-splashed paper
(China )

This is a copy of—or a variation upon—one of the most famous of all Chinese handscrolls; the original scroll was painted in 1120 and attributed to the artist Zhang Zeduan (active 12th century). Viewed from right to left, the painting depicts life along the Yellow River in the capital city of Kaifeng, possibly during the Qingming Festival. During the time of the Qingming Festival, which occurs in late March or early April, people visit their family graves.This copy of the scroll bears the signature of the artist Qiu Ying (1494–1552), who made a copy of the original scroll in the 16th century. However, Qiu himself was one of the most copied painters in Chinese history, and scholars believe the Walters’ scroll is a later copy by still another artist.

Inscription

[Inscription] 清明上河圖 丙戌春三月榢翁題; [Signature] Spurious signature at end: Wu meng Qiu Ying zhi [Wu meng Ch'iu Ying chih] (Qiu Ying [Ch'iu Ying], 1494/1495-1552); [Seal] Spurious seal at end: Qiu Ying_yin [Ch'iu Ying_yin]; [Inscription] Frontispiece, in clerical script, by Chia Ong (unidentified), dated 3rd month, bingxu [ping hsu] (1945 (?)); [Inscription] Colophon, author unidentified.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Laurance and Isabel Roberts, New York, 1939, by purchase; Walters Art Museum, 1991, by gift.

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Geographies

China (Place of Origin)

Measurements

H: 255 1/16 x W: 12 15/16 in. (647.8 x 32.8 cm); Paper H: 11 1/2 x L: 47 3/8 in. (29.2 x 120.3 cm); Text H: 12 1/16 x L: 19 3/8 in. (30.6 x 49.2 cm)

Credit Line

Gift of Laurance and Isabel Roberts, 1991

Location in Museum

Centre Street: Fourth Floor: Across Asia - Arts of Asia and the Islamic World

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

35.175

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  • Thursday: 1–8 p.m.
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600 N. Charles St.
Baltimore, MD
21201

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410-547-9000

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