Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Moonlit Landscape with Ruined Castle
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Moonlit Landscape with Ruined Castle Thumbnail
Moonlit Landscape with Ruined Castle Thumbnail

Moonlit Landscape with Ruined Castle

Bartolomeo Pedon (Italian, 1665-1732) (Painter)
ca. 1700-1732 (Baroque)
oil on canvas
(Baroque Europe )

Pedon's nocturnal landscape with the eerie ruins of a castle is lit by the moon and a small fire that is reflected in the water. Some figures can be discerned, such as the two soldiers in the foreground, but the scene remains intentionally mysterious.

Paintings of pastoral landscapes with an idealized countryside and ancient ruins, such as those by Van Bloemen exhibited nearby, were extremely popular during the 17th century; however, a few artists, like Pedon, were fascinated with the strange and unfamiliar aspects of nature.

For more information on this painting, please see Federico Zeri's 1976 catalogue no. 373, p. 491.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Marquess Filippo Marignoli, Rome and Spoleto, until 1898 [mode of acquisition unknown]; Marquess Francesco Marignoli, 1898 [mode of acquisition unknown]; Don Marcello Massarenti Collection, Rome, 1899 [mode of acquisition unknown] [1900 catalogue supplement: no. 44, attributed to Henri Uron of Haarlem]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.

Conservation

Date Description Narrative
1/12/1952 Treatment coated; inpainted; varnish removed or reduced
11/9/1970 Treatment loss compensation; coated
Share
  • social-item
  • social-item
  • social-item

Geographies

Italy, Venice (Place of Origin)

Measurements

Painted surface H: 32 11/16 x W: 29 5/8 in. (83.1 x 75.3 cm)

Credit Line

Acquired by Henry Walters with the Massarenti Collection, 1902

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.348

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios