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Image for Ring with Intaglio Showing Head of Asclepius
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Image for Ring with Intaglio Showing Head of Asclepius
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Image for Ring with Intaglio Showing Head of Asclepius
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Ring with Intaglio Showing Head of Asclepius Thumbnail
Ring with Intaglio Showing Head of Asclepius Thumbnail
Ring with Intaglio Showing Head of Asclepius Thumbnail
Ring with Intaglio Showing Head of Asclepius Thumbnail
Ring with Intaglio Showing Head of Asclepius Thumbnail
Ring with Intaglio Showing Head of Asclepius Thumbnail

Ring with Intaglio Showing Head of Asclepius

French (?) (Artist)
1st century BCE
carnelian and gold alloy
(18th and 19th Centuries , Jewelry)

18th-century gem carvers sometimes depicted ancient subjects to appeal to gem collectors with antiquarian tastes. This intaglio portrays Asclepius, Greek god of medicine and healing, in profile. Asclepius’s attribute, a serpent entwined around a rod, appears at left. The symbol, which continues to be used in medicine today, has generated different interpretations, but it could be read as a symbol of renewal, as snakes shed their skins. This gem was part of the duke of Marlborough’s famous collection in England.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

George Spencer, fourth Duke of Marlborough, Blenheim Palace, Oxfordshire, by 1817, [mode of acquisition unknown] [Marlborough no. 251]; George Spencer-Churchill, fifth Duke of Marlborough, Blenheim Palace, Oxfordshire, 1817, by bequest; George Spencer-Churchill, sixth Duke of Marlborough, Blenheim Palace, Oxfordshire, 1840, by bequest; John Spencer-Churchill, seventh Duke of Marlborough, Blenheim Palace, Oxfordshire, 1857, by bequest; Sale, The Marlborough Gems, Christie, Manson & Woods, London, 28 June 1875, p. 38, lot 251; David Bromilow, Bitteswell Hall, Leicestershire, ca. 1875, by purchase; Julia Bromilow Jary, Bitteswell Hall, Leicestershire, 1898, by bequest; Sale, The Marlborough Gems Purchased by the Late David Bromilow, esq., Christie, Manson & Woods, London, 26 June 1899, p. 43, lot 251; Henry Walters, Baltimore, 1899, by purchase [Dikran Kelekian as agent]; Sadie Jones (Mrs. Henry Walters), New York, 1931, by bequest; Joseph Brummer, Paris and New York, 1941, by purchase [Brummer inv. no. N5143a]; Walters Art Museum, 1942, by purchase.

Exhibitions

2016 Madame de Pompadour, Patron and Printmaker. The Walters Art Museum, Baltimore.
1979-1980 Jewelry - Ancient to Modern. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
8/18/2015 Examination Examined
8/18/2015 Examination Examined in preparation for exhibition.
10/25/2015 Treatment Cleaned
10/25/2015 Treatment An impression was made of the intaglio for purposes of exhibition. The object was cleaned afterward.
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Geographies

Europe (Place of Origin)

Measurements

Intaglio in gold setting H: 13/16 × W: 11/16 × D: 3/16 in. (2.1 × 1.8 × 0.4 cm); Ring H: 13/16 × W: 3/4 × D: 13/16 in. (2.1 × 1.9 × 2.1 cm)

Credit Line

Museum purchase [formerly part of the Walters Collection], 1942

Location in Museum

Hackerman House at 1 West Mount Vernon Place: Carriage House: Distinctive Design - European and North American Decorative Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

42.1108

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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