Head of a Crocodile
(Ancient Egypt and Nubia )
The crocodile is closely related to the god Sobek, who was worshipped in different places in Egypt, particularly in Kom Ombo and Sumenu, in the Faiyum. In Ptolemaic times Sobek was connected to the sun-god Re, and therefore also to the Greek solar god Helios.
This inlay displays a very carefully worked crocodile head, which presents a lot of details such as teeth, protruding eyes, and curved supraorbital niches.
This inlay was purchased by Henry Walters as part of a group of hundreds of glass fragments thought to belong to an Egyptian shrine (naos), which would have contained an image of a deity. The glass would have been mounted on wood panels. The large group included many identifiable elements, such as dark red body parts representing the exposed skin of men, while dark blue body parts represent the skin of male gods and light blue represents goddesses. White five-point stars in dark blue strips represent the night sky, and the ground is probably represented by dark red strips with alternating orange and gray semicircles. Other elements include hieroglyphs representing “life” and “power,” yellow curls representing the “sidelock of youth,” crocodile heads, parts of Egyptian royal and divine crowns, and patterned sections.
Assuming that the fragments originally belonged together in antiquity, the two dark-blue crocodile heads among the pieces indicated that the shrine might belong to a male deity with crocodile features. Groupings of elements of the glass shrine have been found to closely resemble reliefs from the Ptolemaic temple of the crocodile-headed god Sobek at Kom Ombo, Egypt.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Khawam Brothers, Cairo [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1931, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2014-2015 | Die Entstehung der Welt. Ägyptens letzter Schöpfungsmythos (The Origin of the World. Egypt’s Last Creation Myth). Roemer- und Pelizaeus- Museum, Hildesheim; Kunsthalle Leoben, Leoben. |
| 2013-2014 | Egypt’s Mysterious Book of the Faiyum. The Walters Art Museum, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| Examination | Examined | |
| Examination | Examined in preparation for exhibition | |
| 8/21/1998 | Examination | survey |
Geographies
Egypt (Place of Origin)
Measurements
H: 15/16 x W: 1 9/16 x D: 5/16 in. (2.4 x 3.9 x 0.8 cm)
Credit Line
Acquired by Henry Walters, 1931
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
47.117