Skip to main content
The Walters Art Museum

Online Collection

Explore the Art Collection keyboard_arrow_down close
  • Explore By...
  • Category
  • Date
  • Medium
  • Creator
  • Places
  • Museum Locations
The Walters Art Museum walters-logo-white
  • Calendar
  • Art
  • Shop
  • Give Now
  • Visit
    • Plan Your Visit
    • Hours
    • Directions & Parking
    • Food, Drink, & Shop
    • Free Admission
    • Tours
    • Accessibility
    • Visitor Promise
  • Experience
    • Virtual Museum
    • Exhibitions & Installations
    • Programs & Events
    • Collections
    • Buildings
    • Baltimore
  • Support
    • Support the Walters
    • Corporate Partnerships
    • Institutional Funders
    • Evening at the Walters
    • Volunteers
  • About
    • Mission & Vision
    • Leadership
    • Strategic Plan
    • Land Acknowledgment
    • Research
    • Policies
Image for Fragment
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
Image for Fragment
tooltip-icon Creative Commons License

Creative Commons Zero

Download Image Zoom
  • arrow_forward_ios
  • arrow_forward_ios
Fragment Thumbnail
Fragment Thumbnail
Fragment Thumbnail
Fragment Thumbnail

Fragment

Egyptian (Artist)
4th-late 1st century BCE (Ptolemaic)
glass

This inlay representing an unknown decorative element was purchased by Henry Walters as part of a group of hundreds of glass fragments thought to belong to an Egyptian shrine (naos), which would have contained an image of a deity. The glass would have been mounted on wood panels. The large group included many identifiable elements, such as dark red body parts representing the exposed skin of men, while dark blue body parts represent the skin of male gods and light blue represents goddesses. White five-point stars in dark blue strips represent the night sky, and the ground is probably represented by dark red strips with alternating orange and gray semicircles. Other elements include hieroglyphs representing “life” and “power,” yellow curls representing the “sidelock of youth,” crocodile heads, parts of Egyptian royal and divine crowns, and patterned sections.

Assuming that the fragments originally belonged together in antiquity, the two dark-blue crocodile heads among the pieces indicated that the shrine might belong to a male deity with crocodile features. Groupings of elements of the glass shrine have been found to closely resemble reliefs from the Ptolemaic temple of the crocodile-headed god Sobek at Kom Ombo, Egypt.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Khawam Brothers, Cairo [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1931, by purchase; Walters Art Museum, 1931, by bequest.

Share
  • social-item
  • social-item
  • social-item

Credit Line

Acquired by Henry Walters, 1931

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

47.605

Do you have additional information?

Notify the curator

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

  • Visit
  • Experience
  • What's On
  • About
  • Shop
  • Support The Walters
copyright

The Walters Art Museum

  • Accessibility
  • Privacy Policy/Terms of Use
  • Copyright Info
  • facebook
  • instagram
  • twitter
modal close
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
Image for
tooltip-icon Creative Commons License

Tooltip description to define this term for visitors to the website.

zoom-btn zoom-btn preview-download
  • arrow_forward_ios
  • arrow_forward_ios