no photo available
Vase
Joseph Holdcroft (ca. 1832–1904) was trained and employed at Minton & Co. before establishing his own, eponymous firm in the early 1860s. His company began majolica production in about 1870 in the Staffordshire town of Longton. Holdcroft’s business strategy was anchored in manufacturing large quantities of mid-range majolica, supplemented by higher-quality pieces–like this vase–that garnered positive press reviews and upheld the company’s reputation. Although the firm could manufacture premium majolica in novel shapes, it was sometimes more of an imitator than an innovator and was known to copy designs of rival potteries. The company continued to make majolica into the 1890s.
The base of this vase in the form of a boldly realized bird perched on a tree stump is “signed” T. FAY / SCULPTOR. While nothing has yet been discovered about the artist T. Fay—and this is the only known Holdcroft model to directly credit its creator—the mark offers tantalizing evidence of the firm’s investment in the design of its higher-end majolica.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Collection of Deborah and Philip English, Baltimore, by 2016 [date and mode of acquisition unknown]; given to the Walters Art Museum, 2024.
Exhibitions
| 2021-2022 | Majolica Mania. The Bard Graduate Center, New York; The Walters Art Museum, Baltimore. |
Measurements
H. 20 1/2 x W. 11 5/8 x D. 12 3/8 in. (52.2 x 29.5 x 31.5 cm)
Credit Line
Gift of Deborah and Philip English, 2024
Location in Museum
Hackerman House at 1 West Mount Vernon Place: First Floor: Parlor
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
48.2939