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Image for Snuffbox with portraits of Napoleon I, Empress Marie-Louise, and the King of Rome
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Snuffbox with portraits of Napoleon I, Empress Marie-Louise, and the King of Rome Thumbnail

Snuffbox with portraits of Napoleon I, Empress Marie-Louise, and the King of Rome

French (Artist)
ca. 1813
gold, enamel, watercolor on ivory, glass
(18th and 19th Centuries )

This box is chiseled, partially enameled, and set with three oval portrait miniatures representing Napoleon I and his second wife, Marie-Louise, Duchess of Parma, and their son, the King of Rome after portraits by Isabey. Gold bees, the emblem of Napoleon, decorate the bottom and sides of the box and can be seen between the portraits. A similar group of three portraits is in the Wallace Collection, London. A presentation snuffbox of gold, set with similar miniatures of a larger size is in the collection of the Metropolitan Museum of Art, New York.

1. Napoleon I (1767-1821) wearing the uniform of "chausseurs à cheval." Visible on his chest is the star of the Legion of Honor.

2. The "King of Rome" (1811-1832), Napoleon's son by his second wife the Empress Marie-Louise. He wears the band and star of the Legion of Honor.

3. Empress Marie-Louise (1791-1847), the daughter of Francis I of Austria, who married Napoleon in 1810.

The bees surrounding the miniatures were imperial symbols alluding to the Napoleon's royal predecessors, the Merovingian Frankish kings who ruled France from the 5th-8th centuries. Jewels discovered in their tombs were mistakenly identified as representing bees rather than cicadas.

Inscription

Inside rim engraved: Paris Rue Viviene no 17 Pitoux Md bijer Ordre de S.M. l'Imperatrice et Reine
Stamps of Paris, used between 1809 abd 1819; second gold standard; and a lozenge with a griffin for difference and the initials J.F.V. for the goldsmith Jacque-Felix Viennet (?)

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

E. Joseph [date and mode of acquisition unknown] [1]. Christopher Henry Hawkins, by purchase, January 30, 1890. William T. Walters, Baltimore [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.

[1] small folded note, originally contained in the box, gives the provenance and includes a clipping from a sales catalogue, where this box is lot 46. A note in the curatorial file identifies the sale as being at Christies. The clipping also states that the box was presented to General Bernadotti by Naploeon I, and that the box contained a gold Order with the Imperial Eagle holding a medallion. This is no longer with the box.

Exhibitions

2006-2009 Bedazzled: 5,000 Years of Jewelry from the Walters Art Museum. Frist Center for the Visual Arts, Nashville; The John and Mable Ringling Museum of Art, Sarasota; The Walters Art Museum, Baltimore.
1984 Objects of Vertu: Precious Works of the Eighteenth Century. The Walters Art Gallery, Baltimore.
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Geographies

France, Paris (Place of Origin)

Measurements

13/16 x 2 1/8 in. (2 x 5.4 cm)

Credit Line

Acquired by William T. Walters

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

57.218

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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