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Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail
Clock Supported by Hercules Thumbnail

Clock Supported by Hercules

Antoine Arlaud (French, active ca. 1580-1610) (Clockmaker)
ca. 1580-1600 (Renaissance)
gilded copper alloy, silver, steel, rock crystal (?)
(Renaissance Europe )

This important, elaborate table clock is by one of France's greatest timepiece makers. Its internal complexity is reflected on the delicately engraved silver dial with its indication of the current time, an alarm setting, and a calendar with months, zodiac symbols, and the phases of the moon.

The decoration includes both fine piercing and engraved figural designs including an elderly Father Time with his hourglass and staff accompanied by the personifications of the four Seasons. Hercules wearing a lion's skin supports the clock on his head and arms, referring to the myth in which Hercules takes Atlas' place in holding up the universe. Atop the clock is a second small figurine of Hercules with a club. The clock itself stands for the revolving heavens; in the 1500s and 1600s, clocks with their many turning, regulated wheelworks were seen as mechanical models representing the circular motions of the universe.

Inscription

[Maker’s Mark] engraved on reverse of backplate: Anthoine Arlaud
[Marks] stamped on the inner edge of the latch of the crystal: [two unidentified marks] [Paper Label] affixed on to underside of base, inscribed in black ink: 5116
[Adhesive Label] affixed to underside of base, inscribed in blue ink: 150
[Paper Label] affixed on to underside of base, typewritten in black ink: C L O C K, / Silver Gilt.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Henry Walters, Baltimore, 1928 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

Exhibitions

1971-1972 World of Wonder. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
5/13/1958 Treatment cleaned
12/21/1962 Treatment cleaned
2/9/1988 Examination examined for condition
7/1/2002 Examination examined for survey
7/15/2002 Examination examined for condition
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Geographies

Switzerland, Geneva (Place of Origin) France (Place of Origin)

Measurements

H: 10 9/16 × W: 4 1/2 × D: 4 1/2 in. (26.8 × 11.4 × 11.4 cm)

Credit Line

Acquired by Henry Walters, 1928

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

58.239

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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