Book of Hours
(Medieval Europe , Manuscripts and Rare Books)
This Book of Hours was created ca. 1460-70 CE in Bruges by the circle of Willem Vrelant. It contains six extant full-page miniatures, which were inserted or painted on the versos of folios left blank, with the images on fols. 101v and 120v created by a different artist. A highly embellished upper board was added in Germany in the nineteenth century that contains an ivory Christ nailed to an engraved gilded cross.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Unknown Italian owner, 17th century [1]. Purchased by Peter Marié, New York, August 1891 [2]; Marié Sale, New York, 1903, no. 573; purchased by George Richmond, New York, 1903; purchased by Henry Walters, Baltimore; by bequest to Walters Art Museum, 1931.
[1] Addition of Italian prayer on fol. 2r
[2] Possibly purchased in Germany; inscription on flyleaf i, v reads "573/Homburg August 1891/XIV/750 [crossed out]/647/1600 marks"; sticker on same flyleaf indicates he loaned it to Grolier Club in 1892, inscribed "P. Marie/ No. 8 [crossed out]/No. 77"
Exhibitions
1991 | The Gothic Revival: The Illuminated Manuscript in Medieval and Modern Times. The Walters Art Gallery, Baltimore. |
Geographies
Belgium, Bruges
(Place of Origin)
Germany, Frankfurt (Place of Binding)
Measurements
Folio H: 4 5/16 × W: 3 3/16 in. (11 × 8.1 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.184