Portrait of Abbot Nicholas à Spira
(Renaissance Europe )
In 1543, Nicholas à Spira (1510-1568) was elected abbot of the abbey of the Norbertine Order at Grimbergen in the southern Netherlands (modern Belgium). He commissioned an altarpiece with his portrait on one wing and that of his patron saint, St. Nicholas, (37.2615) on the other. the painter, the little-known Jacob de Punder (or Jacques de Poindre), portrayed his client with unflinching realism.
Xrays of the two panels reveal the traces of an Annunciation scene that initially would would be seen by the worshipper when the altarpiece was closed. It is now overpainted.
In 1566, the abbey, like many Catholic churches and institutions in the Netherlands, was set on fire by bands of Protestant reformers bent on purging the land of idolatrous images. However, the altarpiece survived until the anticlerical campaigns of the 1790s that swept through much of western Europe with the reverberations of the French Revolution. The altarpiece was apparently dismantled then, probably in order to separate the portraits from the central panel featuring a religious subject, which was very likely destroyed.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Abbey of Grimbergen, Brabant, 1563-late 18th century; de Malherbe Collection, Valenciennes; Sale, October 17-18, 1883, no. 46; Comte Jacques de Béraudière, Paris; Sale, Cabinet Foucart, October 10-12, 1898, no. 65; de Somzée Collection; Sale, Brussels, May 24, 1904, no. 565; Henry Walters, Baltimore, ca. 1905 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
1980 | Salute to Belgium. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
Treatment | cleaned | |
Examination | examined for condition | |
11/16/1941 | Treatment | loss compensation; coated; repaired; other |
12/16/1941 | Treatment | coated; inpainted; other; varnish removed or reduced |
3/27/1957 | Treatment | cleaned |
1/1/1975 | Examination | examined for condition |
1/20/1975 | Treatment | coated; varnish removed or reduced |
2/20/1975 | Treatment | cleaned; coated |
7/2/1984 | Examination | examined for condition |
7/2/1984 | Treatment | coated; inpainted; loss compensation; varnish removed or reduced |
8/27/1985 | Technical Report | other |
8/27/1985 | Technical Report | chemical analysis; examined for technical study |
1/20/1987 | Treatment | cleaned; coated; loss compensation |
7/13/1988 | Examination | examined for condition |
8/28/1990 | Technical Report | other |
8/28/1990 | Technical Report | chemical analysis; examined for technical study |
Geographies
Belgium, Mechelen
(Place of Origin)
Belgium, Brabant, Abbey of Grimbergen (Place of Discovery)
Measurements
34 x 23 5/8 in. (86.4 x 60 cm)
Credit Line
Acquired by Henry Walters, ca. 1905
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.258