Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
Creative Commons License
The Café-Concert
(18th and 19th Centuries )
Manet was the quintessential "Painter of Modern Life," a phrase coined by art critic and poet Charles Baudelaire. In 1878-79, he painted a number of scenes set in the Cabaret de Reichshoffen on the Boulevard Rochechouart, where women on the fringes of society freely intermingled with well-heeled gentlemen. Here, Manet captures the kaleidoscopic pleasures of Parisian nightlife. The figures are crowded into the compact space of the canvas, each one seemingly oblivious of the others. When exhibited at La Vie Moderne gallery in 1880, this work was praised by some for its unflinching realism and criticized by others for its apparent crudeness.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Boussaton, 1881; Boussaton Sale, Galerie Georges Petit, Paris, May 15, 1891, no. 61; A. M. Haviland, Limoges [date and mode of acquisition unknown]; J. B. Faure, Paris [date and mode of acquisition unknown]; Collection J. B. Faure Sale, Paris, 1902, no. 38; Durand-Ruel, Paris, 1907 [mode of acquisition unknown]; Henry Walters, Baltimore, 1909, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2023-2024 | Manet/Degas. Musee D'Orsay, Paris; The Metropolitan Museum of Art, New York. |
| 2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
| 2010-2011 | 19th Century Masterpieces from the Walters Art Museum. Santa Barbara Museum of Art, Santa Barbara; Jack S. Blanton Museum of Art, Austin. |
| 2002-2004 | A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. |
| 2000-2002 | Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Dayton Art Institute, Dayton; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo. |
| 1998-2001 | Highlights from the Collection. The Walters Art Gallery, Baltimore. |
| 1999-2000 | Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. |
| 1998 | Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. |
| 1996 | Impressionism, the City and Modern Life. Ordrupgaard, Charlottenlund. |
| 1986 | Manet's Working Methods. The Courtauld Gallery, London. |
| 1984 | The Taste of Maryland: Art Collecting in Maryland 1800-1934. The Walters Art Gallery, Baltimore. |
| 1982-1983 | Manet and Modern Paris. National Gallery of Art, Washington. |
| 1983 | Manet, 1832-1883. Galeries nationales du Grand Palais, Paris; The Metropolitan Museum of Art, New York. |
| 1968 | From El Greco to Pollock: Early and Late Works by European and American Artists. Baltimore Museum of Art, Baltimore. |
| 1951 | From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/1/1936 | Treatment | mounted |
| 1/22/1941 | Treatment | cleaned; coated |
| 10/25/1951 | Treatment | cleaned; coated |
| 10/12/1965 | Examination | examined for loan |
| 6/1/1971 | Treatment | cleaned |
| 3/5/1979 | Treatment | other |
| 8/30/1982 | Examination | examined for loan |
| 8/31/1982 | Treatment | cleaned; coated; loss compensation |
| 3/19/1983 | Examination | survey |
Geographies
France (Place of Origin)
Measurements
H: 18 5/8 x W: 15 3/8 in. (47.3 x 39.1 cm); Framed H: 25 7/8 x W: 22 7/8 x D: 3 3/4 in. (65.72 x 58.1 x 9.53 cm)
Credit Line
Acquired by Henry Walters, 1909-10
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.893