Description Although he trained in the studio of the celebrated Neoclassical history painter Jacques-Louis David (1748-1825), Ingres defies easy classification. This intimate painting reflects Ingres's Romantic fascination with the lives of artists of the past whom he admired-in this case, Raphael. In this scene, Cardinal Bibbiena presents his niece as a bride for Raphael, a demonstration of the extraordinary esteem the cardinal felt for the handsome young artist. Ingres was careful to use historical sources in his imaginative depiction of this pivotal moment. Raphael's features are based on a portrait of a young man that was once thought to be a self-portrait (National Gallery of Art, Washington, D.C.); Bibbiena's likeness is based on a portrait by Raphael (Pitti Palace, Florence); and the cardinal's niece was inspired by Sebastiano del Piombo's image of a woman once identified as Raphael's mistress, called "La Fornarina" (also in the Pitti Palace).
|5/01/1943||Treatment||loss compensation; coated; other|
|3/16/1961||Treatment||examined for loan; cleaned; coated|
|5/31/1967||Treatment||examined for condition; coated|
|2/01/1979||Treatment||examined for condition; other|
|10/20/1980||Treatment||cleaned; loss compensation; coated|
|6/13/1989||Examination||examined for loan|
|7/01/1989||Treatment||loss compensation; coated; examined for technical study|
- From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. 1951.
- Ingres in American Collections. Paul Rosenberg & Co., New York, New York. 1961.
- Ingres et son Temps. Musee Ingres a Montauban, Montauban. 1967.
- From El Greco to Pollock: Early and Late Works by European and American Artists. Baltimore Museum of Art, Baltimore. 1968.
- Raphael and America. National Gallery of Art, Washington. 1983.
- Raphael et l'Art Francais. Galeries nationales du Grand Palais, Paris. 1983-1984.
- Raffaello: elementi di un mito. Biblioteca Medicea Laurenziana, Florence. 1984.
- Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo; Dayton Art Institute, Dayton. 2000-2002.
- A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte; The Walters Art Museum, Baltimore. 2002-2004.
- De la scène au tableau. Musee Cantini, Marseille; Museo di arte moderna e contemporanea di Trento e Rovereto, Rovereto (TN); Art Gallery of Ontario, Toronto. 2009-2010.
Provenance Caroline Murat, Queen of Naples, 1813, by commission; Duke of Salerno [date and mode of acquisition unknown]; Prince of Salerno Sale, Naples, April 19, 1852, no. 118; Collection Giuseppe Tibaldi, Naples [date and mode of acquisition unknown]; Ch. Blanc Sale, Paris, March 13-15, 1882, no. 33; Collection L. Tabourier [date and mode of acquisition unknown]; Mrs. S. D. Warren, Boston [date and mode of acquisition unknown]; Mrs. S. D. Warren Sale, American Art Association, New York, January 8-9, 1903, no. 52; Henry Walters, Baltimore, 1903, by purchase; Walters Art Museum, 1931, by bequest.
Inscriptions [Signature] Lower left: INGRES; [Label] On stretcher: DURAND-RUEL/Paris 16 rue Laffite/New York 315 Fifth Avenue/Ingres No. 834/Le Cardinal Bibiena presentant sa niece à Raphael; [Sticker] 66; stencil on canvas lining: American Art Association/Mrs. S.D. Warren Sale/January 8th, 1903; [Label] On stretcher, inscribed in ink: Mrs. S.D. Warren, 67 Mt. Vernon St./Boston
Credit Acquired by Henry Walters, 1903
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