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Lost Illusions
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Lost Illusions


Description Conservation Exhibitions Provenance Inscription Credit
Description Gleyre claimed that "Lost Illusions" represented a vision that he had experienced on the evening of March 1, 1835, while sitting on the banks of the Nile River near Abydos, Egypt. An aging poet watches pensively as a mysterious boat carries away his youthful dreams and illusions, personified by music-making maidens and a cupid strewing flowers. Although the figures in the painting wear classical Greek dress, their vessel resembles a "dahabieh," an Egyptian river boat. In 1843, Gleyre succeeded Paul Delaroche as the head of the major private studio in Paris. His pupils included such diverse figures as the Academic artist Jean-Léon Gérôme, the future Impressionists Alfred Sisley and Auguste Renoir (1841-1919), and the American James Abbott McNeill Whistler (1834-1904). This painting, begun by Gleyre's pupil Léon Dussart and reworked by Gleyre himself, replicates Gleyre's masterpiece "Le Soir" (now in the Louvre Museum, Paris). William Walters commissioned this painting from the artist through the Parisian art dealers Goupil & Cie. in 1865. It took two years to complete. Conscious of the delay, the firm wrote to Walters: Mr. Gleyre has finally nearly finished his reproduction of his picture. . . We are happy to be able to tell you that this reproduction is beautifully done. It has taken a long time and has required more trouble from the painter than he thought.
Conservation
Date Description Narrative
2/15/1938Treatmentcoated; varnish removed or reduced
1/24/1967Treatmentcoated; inpainted; lined; mounted; varnish removed or reduced
1/24/1967Examinationexamined for condition
2/01/1992Treatmentcoated; surface cleaned
3/19/1999Loan Considerationexamined for loan
Exhibitions
  • Millet and Barbizon Art. Matsumoto City Museum, Matsumoto City; Tokuyama City Museum of Art and History, Tokuyama; Kasama Nichido Museum, Kasama City; Ishikawa Prefectural Museum of Art, Kanazawa. 1996.
  • Before Monet: Landscape Painting in France and Impressionist Masters: Highlights from The Walters Collection. The Walters Art Gallery, Baltimore. 1998.
  • Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Dayton Art Institute, Dayton; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo. 2000-2002.
  • A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. 2002-2004.
Provenance William T. Walters, Baltimore, 1865, by commission [Goupil & Cie. as agent]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Inscriptions [Signature] At right: C.Gleyre
Credit Acquired by William T. Walters, 1867

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Period
1865-1867
Medium
oil on canvas
(Painting & Drawing)
Accession Number
37.184
Measurements
H: 34 1/16 x W: 59 1/4 in. (86.5 x 150.5 cm); Framed H: 52 1/4 x W: 77 1/2 x D: 7 1/4 in. (132.7 x 196.9 x 18.4 cm)
Geographies
Location Within Museum
Not On View

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