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"Surtout de table": Tiger Hunt


Description Conservation Exhibitions Provenance Inscription Credit
Description One can imagine this hunting scene taking place in the exotic East. This sculpture originally stood on a five-foot-high, gilt-bronze triumphal arch in the middle of the duke of Orléans's centerpiece. Three Indians, perched in the box-like howda, defend themselves from a tiger clawing its way up the elephant's back. The driver, riding on the elephant's neck, is about to strike the tiger with his barbed goad. A second tiger, already wounded by a spear, seizes one of the elephant's rear feet. Barye derived this subject from various sources, including a 17th-century Persian miniature. The inscription around the sculpture's base identifies the piece as having been cast by Honoré Gonon and his two sons using the more costly lost-wax process, rather than sand casting. Gonon was credited with reviving this technique, which faithfully replicates the details of the original model.
Conservation
Date Description Narrative
12/31/1969Examinationexamined for survey
6/14/1974Treatmentcleaned
8/15/1989Treatmentcleaned; coated; repaired
2/21/1991Loan Considerationexamined for loan
9/16/1991Treatmentcleaned; coated; stabilized
1/01/2002Treatmentrepaired; loss compensation
3/18/2002Treatmentcleaned; repaired; loss compensation; other
11/14/2003Treatmentrepaired
9/10/2004Treatmentother
1/23/2007Technical ReportX-ray fluorescence
Exhibitions
  • The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. 1889-1890.
  • A Baltimorean in Paris: George A. Lucas, 1860-1909. The Walters Art Gallery, Baltimore. 1979.
  • Un âge d'or des arts décoratifs: 1814-1848. Galeries nationales du Grand Palais, Paris. 1991.
  • Vive la France! French Treasures from the Middle Ages to Monet. The Walters Art Gallery, Baltimore. 1999-2000.
  • Highlights from the Collection. The Walters Art Gallery, Baltimore. 1998-2001.
  • Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. 2007-2008.
  • From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. 2014-2016.
Provenance Duc d'Orléans, 1834, by commission; duchesse d'Orleans Sale, Paris, 1853, no. 1; Count Anatole Demidoff [M. Jaunez as agent]; San Donato Sale, Paris, March 22-24, 1870, cat. 1536; Philippe Burty; William T. Walters, Baltimore, February 20, 1872, by purchase [George A. Lucas as agent]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Inscriptions [Signature and Date] Inscribed on base: BARYE 1836; [Transcription] Inscribed on base: BRONZE D'UN JET SANS CISELURE FONDU A L'HOTEL D'ANGEVILLIERS PAR HONORE GONON ET SES DEUX FILS; [Translation] Inscribed on base: Bronze cast without carving cast at the Hotel D'Angevilliers by Honoré Gonon and his two sons; [Number] Painted inside base in white: W / 48
Credit Acquired by William T. Walters, 1872

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Period
1834-1836
Medium
bronze, lost-wax cast with brown varnish patina over a metallic flake or powdered surface with details highlighted by leaf gilding
(Sculpture)
Accession Number
27.176
Measurements
H: 27 3/4 × L: 24 7/16 × D: 14 9/16 in. (70.5 × 62 × 37 cm)
Geographies

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