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Image for Covered Vase (Vase C de 1780 or Vase Paris)
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Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
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Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail
Covered Vase (Vase C de 1780 or Vase Paris) Thumbnail

Covered Vase (Vase C de 1780 or Vase Paris)

Sèvres Porcelain Manufactory (French, active 1756 - present) (Manufacturer)
Jacques-François Deparis (French, 1735-1797) (Designer)
1781
Soft paste porcelain, enamels, gilding
(18th and 19th Centuries )

The oviform vase has a blue (so called "bleu nouveau") ground and is decorated with a mythological scene, "The Sacrifice of Iphigenia," from Ovid's Metamorphosis on one side, and a landscape on the other. It bears an additional decoration of "jewels" composed of enamel drops over gold foil (pearls, rossettes, strawberry leaves, laurel leaves, and berries in white, green, and orange) around these scenes, and on the neck, foot, and cover. Pierced and gilded handles run along the full length of the vase.

Inscription

[Factory Mark and Factory Date Mark] painted in blue on the underside of the foot of the vase: [intertwined LLs enclosing] DD [for 1781]
[Labels] rectangular blue-bordered white paper labels affixed to the underside of the vase's lid and foot, inscribed in black ink: Salon / Falise
[Label] rectangular blue-bordered white paper label affixed to the underside of the vase's lid, inscribed in black ink: [illegible] 11
[French Export Label] circular paper label affixed to underside vase’s lid, printed in purple: DOUANES / PARIS / EXPOSITION

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Collection of Baron Adolphe Carl von Rothschild (1823–1900) and Baroness Caroline Julie Anselme von Rothschild (1830–1907), Paris [date and mode of acquisition unknown]; inherited by Baron Maurice Edmond Karl de Rothschild (1881–1957), Paris, 1907; sold to Asher Wertheimer (1843–1918), London, 1909. Collection of Edwin Marriott Hodgkins (1860–1932), Paris, by 1927 [date and mode of acquisition unknown] [1]; with A. Seligmann, Rey and Co., New York, by 1928 [date and mode of acquisition unknown]; purchased by Henry Walters, Baltimore, 1928; by bequest to the Walters Art Museum, 1931.

[1]. Catalogue of an Important Collection of Old Sèvres Porcelain, Louis XV and Louis XVI Period, Belonging to E.M. Hodgkins, Paris ([Paris?]: Edwin Marriott Hodgkins, 1927), number 68.

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Geographies

France, Sèvres (Place of Origin)

Measurements

H: 16 9/16 in. (42.1 cm)

Credit Line

Acquired by Henry Walters, 1928

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

48.568

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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