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Saint Lucy

Niccolò di Segna (Italian, active 1331-1345) (Painter)
ca. 1340 (Medieval)
tempera and gold leaf on panel
(Medieval Europe )

Following her conversion to Christianity, Lucy (d. 304) was subjected to a series of tortures, all of which she miraculously survived. Here, the saint holds the dagger with which she was ultimately executed and the lamp, her attribute. This painting originally was on the left side of an altarpiece that consisted of a central image of the Virgin and Child flanked by saints.

The ornate details and delicate gold surfaces enlivened by punch-marks are characteristic of the refined style of mid 14th-century Sienese painting.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Don Marcello Massarenti Collection, Rome [date of acquisition unknown], by purchase [1881 catalogue: no. 23; 1897 catalogue: no. 47, as Simone Martini]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.

Conservation

Date Description Narrative
4/6/1983 Examination examined for condition
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Geographies

Italy, Siena (Place of Origin)

Measurements

H of panel excluding modern peripheral strips: 27 3/4 x W: 17 3/16 x D: 1 1/4 in. (70.5 x 43.7 x 3.1 cm); Framed H: 29 1/4 × W: 19 1/2 × D: 2 3/4 in. (74.3 × 49.5 × 7 cm)

Credit Line

Acquired by Henry Walters with the Massarenti Collection, 1902

Location in Museum

Charles Street: Third Floor: 13th-15th Century Italian Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.756

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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