This Book of Hours, completed ca. 1440, is an example of the artistic production of the Masters of the Gold Scrolls, a group of illuminators primarily active in Bruges ca. 1410-50. The liturgical use combines Rome with a Rouen variant, particularly in the Hours of the Virgin. The book gives unusual emphasis to St. Jodocus, depicted first in the company of other saints and later as a single portrait at the head of his Suffrage (fols. 37v and 160r). SS. Christopher (fol. 161v) and Peter of Luxembourg (fol. 164v) are the only other saints illuminated in the Suffrages.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
[1] His bookplate inscribed with "N 4" in ink and a pencil notation below reading "No. 11 Coll. L. G."
[2] Possibly item 4 on a trimmed shipping list (from Walters curatorial file)
Exhibitions
2006-2007
For This is My Body: The Medieval Missal. The Walters Art Museum, Baltimore.
1995
To Hell and Back: Medieval Images of the Afterworld. The Walters Art Gallery, Baltimore.
1992
Manuscript Illumination in Flanders. The Walters Art Gallery, Baltimore.
1988
Time Sanctified: The Book of Hours in Medieval Art and Life. The Walters Art Gallery, Baltimore.
1962
The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore.
Conservation
Date
Description
Narrative
8/27/2014
Treatment
binding stabilized; examined for digitization; media consolidation; splits mended