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Image for Cista Depicting a Dionysian Revel and Perseus with Medusa's Head
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Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail
Cista Depicting a Dionysian Revel and Perseus with Medusa's Head Thumbnail

Cista Depicting a Dionysian Revel and Perseus with Medusa's Head

Etruscan (Artist)
4th-3rd century BCE (Late Classical-Hellenistic)
bronze; incised
(Roman Empire )

Cistae were containers used to safeguard precious objects, including mirrors, perfume flasks, and cosmetics. A particular type of cista was made during the 4th to 3rd centuries BCE in Praeneste, a site in Latium (the region around Rome) that was heavily influenced by Etruscan culture. The elaborately engraved scenes are thought to imitate famous, but now lost, Greek wall-paintings. The ancient metalworker often pressed a white substance into the engraved lines in order to accentuate the decoration. The handles commonly take the form of human figures. Many artists in other early Italian cultures similarly incorporated figures of humans in functional objects.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.

Conservation

Date Description Narrative
6/11/1938 Treatment cleaned; repaired; loss compensation; coated
1/1/1967 Treatment cleaned; repaired
7/6/1967 Treatment repaired; stabilized; other
5/23/1972 Treatment loss compensation; other
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Geographies

Italy, Palestrina (Praeneste) (Place of Origin)

Measurements

H: 20 1/4 x Diam: 10 7/16 in. (51.5 x 26.5 cm)

Credit Line

Acquired by Henry Walters with the Massarenti Collection, 1902

Location in Museum

Centre Street: Second Floor: Etruscan Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

54.136

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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