The Beaupré Antiphonary, vol. 2
1290 (Medieval)
ink and pigments on parchment bound between boards covered with velvet and leather
(Manuscripts and Rare Books, Medieval Europe )
(Manuscripts and Rare Books, Medieval Europe )
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William R. Hearst Foundation [date and mode of acquisition unknown]; Walters Art Museum, 1957, by gift.
Exhibitions
2019 | Animal Tales. The Walters Art Museum, Baltimore. |
2016-2017 | A Feast for the Senses: Art and Experience in Medieval Europe. The Walters Art Museum, Baltimore; The John and Mable Ringling Museum of Art, Sarasota. |
1996-1997 | Music in Manuscripts. The Walters Art Gallery, Baltimore. |
1992 | Manuscript Illumination in Flanders. The Walters Art Gallery, Baltimore. |
1990-1991 | Saint Bernard et Le Monde Cistercien. La Conciergerie, Palais de la Cité, Paris. |
1988-1989 | Making Music in Medieval Manuscripts. The Walters Art Gallery, Baltimore. |
1987 | O Sing Unto the Lord a New Song: Music Manuscripts from the Middle Ages. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
4/9/2014 | Treatment | binding stabilized; examined for digitization; media consolidation; splits mended |
Geographies
Belgium, Cambron (Place of Origin)
Measurements
Folio H: 18 15/16 x W: 13 5/8 in. (48.1 x 34.6 cm)
Credit Line
Gift of the William R. Hearst Foundation, 1957
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.760