Creative Commons License
Creative Commons License
Creative Commons License
Portrait of a Woman as Cleopatra
(Renaissance Europe )
Aside from the curiosity of this wealthy Venetian woman choosing to have herself portrayed as Cleopatra, Queen of Egypt, just as she is about to apply the poisonous asp to her breast, this painting is a remarkably interesting view of a Venetian bedroom in the later 1500s. The woman's platform shoes and the "Sansovino" type mirror on the rear wall have drawn the most attention. For more information on this painting, please see Federico Zeri's 1976 catalogue Italian Paintings in the Walters Art Gallery, no. 282, pp. 410-411. For another Walters paintings featuring a woman wearing platform shoes, see Dirck de Vries's, Venetian Kitch Interior, 37.2651.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Valentino Benefatto, Venice, prior to 1856 [date and mode of acquisition unknown]; Count of Chambord, Palace Vendramin, Venice [date and mode of acquisition unknown]; F. Ongania, Venice [date and mode of acquisition unknown] [Catalogue III, 1909, no. 68]; Henry Walters, Baltimore, 1911 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Geographies
Italy, Venice (Place of Origin)
Measurements
Painted surface H: 57 11/16 x W: 49 5/8 in. (146.5 x 126 cm)
Credit Line
Acquired by Henry Walters, 1911
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.534