Study relating to "Saint Sebastian Succoured by Holy Women"
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Corot to H.J.C. Dutilleux. Alfred Robaut [date and mode of acquisition unknown]. William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
2024-2025 | Reinstallation 2024: Art and Process. The Walters Art Museum, Baltimore. |
2012-2013 | Camille Corot. |
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1983 | A Connoisseur's Portfolio: Nineteenth-century Drawings and Watercolors in the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
1980 | Christian Imagery in French Nineteenth Century Art, 1789-1906. The Shepherd Gallery, New York. |
1965 | Corot. Royal Scottish Academy of Painting, Edinburgh. |
1951 | From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. |
1946 | Corot, 1796-1875. Philadelphia Museum of Art, Philadelphia. |
Conservation
Date | Description | Narrative |
---|---|---|
1/1/2002 | Treatment | examined for exhibition; re-housed |
Geographies
France (Place of Origin)
Measurements
H: 14 3/16 × W: 10 7/16 in. (36.1 × 26.5 cm)
Framed: H: 22 15/16 × W: 18 9/16 × D: 1 in. (58.3 × 47.2 × 2.5 cm)
Credit Line
Acquired by William T. or Henry Walters
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1582