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Prayer to the Virgin
after 1866
watercolor and graphite underdrawing with gum heightening and shell gold on cream, moderately thick, heavily textured wove paper
(18th and 19th Centuries )
(18th and 19th Centuries )
This watercolor is based on a larger oil painting (titled in French "L'Invocation a la Vierge") completed by Bourguereau in 1866.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore [date and mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
| 2008-2009 | Portraits Re-Examined: Dawoud Bey Project. The Walters Art Museum, Baltimore. |
| 2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
| 1983 | A Connoisseur's Portfolio: Nineteenth-century Drawings and Watercolors in the Walters Art Gallery. The Walters Art Gallery, Baltimore. |
| 1979 | A Supple Brush: The Flowering of Continental Watercolors. The Walters Art Gallery, Baltimore. |
Conservation
| Date | Description | Narrative |
|---|---|---|
| 1/1/2002 | Treatment | examined for exhibition; re-housed |
Geographies
France (Place of Origin)
Measurements
Sheet: H: 10 11/16 x W: 7 1/2 in. (27.1 x 19 cm)
Credit Line
Acquired by William T. Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1380