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Image for Portrait of Abbot Nicholas à Spira
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Portrait of Abbot Nicholas à Spira Thumbnail
Portrait of Abbot Nicholas à Spira Thumbnail

Portrait of Abbot Nicholas à Spira

Jacques de Poindre (Flemish, ca. 1527-ca. 1572) (Artist)
1563 (Renaissance)
oil on panel
(Renaissance Europe )

In 1543, Nicholas à Spira (1510-1568) was elected abbot of the abbey of the Norbertine Order at Grimbergen in the southern Netherlands (modern Belgium). He commissioned an altarpiece with his portrait on one wing and that of his patron saint, St. Nicholas, (37.2615) on the other. the painter, the little-known Jacob de Punder (or Jacques de Poindre), portrayed his client with unflinching realism.
Xrays of the two panels reveal the traces of an Annunciation scene that initially would would be seen by the worshipper when the altarpiece was closed. It is now overpainted.
In 1566, the abbey, like many Catholic churches and institutions in the Netherlands, was set on fire by bands of Protestant reformers bent on purging the land of idolatrous images. However, the altarpiece survived until the anticlerical campaigns of the 1790s that swept through much of western Europe with the reverberations of the French Revolution. The altarpiece was apparently dismantled then, probably in order to separate the portraits from the central panel featuring a religious subject, which was very likely destroyed.

Inscription

Signed at the left: (J)ABOBVS (D)EPUNDER FECIT; Inscribed and dated to the left: SPIRTVM RECTV INSPIRA / ANNO ETATIS SUE 53 / ANNO 1563

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Abbey of Grimbergen, Brabant, 1563-late 18th century; de Malherbe Collection, Valenciennes; Sale, October 17-18, 1883, no. 46; Comte Jacques de Béraudière, Paris; Sale, Cabinet Foucart, October 10-12, 1898, no. 65; de Somzée Collection; Sale, Brussels, May 24, 1904, no. 565; Henry Walters, Baltimore, ca. 1905 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.

Exhibitions

1980 Salute to Belgium. The Walters Art Gallery, Baltimore.

Conservation

Date Description Narrative
Treatment cleaned
Examination examined for condition
11/16/1941 Treatment loss compensation; coated; repaired; other
12/16/1941 Treatment coated; inpainted; other; varnish removed or reduced
3/27/1957 Treatment cleaned
1/1/1975 Examination examined for condition
1/20/1975 Treatment coated; varnish removed or reduced
2/20/1975 Treatment cleaned; coated
7/2/1984 Examination examined for condition
7/2/1984 Treatment coated; inpainted; loss compensation; varnish removed or reduced
8/27/1985 Technical Report other
8/27/1985 Technical Report chemical analysis; examined for technical study
1/20/1987 Treatment cleaned; coated; loss compensation
7/13/1988 Examination examined for condition
8/28/1990 Technical Report other
8/28/1990 Technical Report chemical analysis; examined for technical study
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Geographies

Belgium, Mechelen (Place of Origin) Belgium, Brabant, Abbey of Grimbergen (Place of Discovery)

Measurements

34 x 23 5/8 in. (86.4 x 60 cm)

Credit Line

Acquired by Henry Walters, ca. 1905

Location in Museum

Charles Street: Second Floor: Collector's Study

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

37.258

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Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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