The Duel After the Masquerade
(18th and 19th Centuries )
In this painting, showing the outcome of a duel after a costume ball, Gérôme replicates, with slight variations, a composition he had executed for the Duc d'Aumale in 1857. It is dawn on a wintry day in the Bois de Boulogne, Paris, and Pierrot succumbs in the arms of the Duc de Guise. A Venetian doge examines Pierrot's wound while Domino clasps his head in despair. To the right, the victorious American Indian departs, accompanied by Harlequin.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Sale, National Academy of Design, New York, October 1859; William T. Walters, Baltimore, 1859, by purchase; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
2010-2011 | The Spectacular Art of Jean-Léon Gérôme. J. Paul Getty Museum, Los Angeles; Musee D'Orsay, Paris; Museo Thyssen-Bornemisza, Madrid. |
2007-2008 | Déjà Vu? Revealing Repetition in French Masterpieces. The Walters Art Museum, Baltimore; Phoenix Art Museum, Phoenix. |
2002-2004 | A Magnificent Age: Masterpieces from the Walters Art Museum, Baltimore. The Walters Art Museum, Baltimore; The Nelson-Atkins Museum of Art, Kansas City; Mint Museum of Art, Charlotte. |
2000-2002 | Triumph of French Painting: Masterpieces from Ingres to Matisse. Baltimore Museum of Art, Baltimore; Philbrook Museum of Art, Tulsa; Norton Museum of Art, West Palm Beach; Dayton Art Institute, Dayton; Royal Academy of Arts, London; Albright-Knox Art Gallery, Buffalo. |
1998-2001 | Highlights from the Collection. The Walters Art Gallery, Baltimore. |
1984 | The Taste of Maryland: Art Collecting in Maryland 1800-1934. The Walters Art Gallery, Baltimore. |
1951 | From Ingres to Gauguin: French Nineteenth Century Paintings Owned in Maryland. Baltimore Museum of Art, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
3/31/1943 | Treatment | coated; other |
1/8/1958 | Treatment | other |
5/27/1986 | Treatment | other |
9/23/1996 | Examination | cleaned; loss compensation |
6/17/1997 | Treatment | examined for loan; other |
3/29/1998 | Loan Consideration | examined for loan |
Geographies
France
(Place of Origin)
France, Bois de Boulogne (Place Depicted)
Measurements
H: 15 3/8 x W: 22 3/16 in. (39.1 x 56.3 cm); Framed H: 26 3/8 x W: 33 1/4 x D: 5 in. (66.99 x 84.46 x 12.7 cm)
Credit Line
Acquired by William T. Walters, 1859
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.51