Tiger Walking
(18th and 19th Centuries )
The animal sculptor Antoine-Louis Barye regularly visited the Forest of Fontainebleau from the late 1840s and rented a house at Barbizon starting in 1867. In his watercolors, he created imaginary scenes by inserting wild animals he had seen in the zoo into the Fontainebleau landscape. Here, a tiger appears against the barren rocks and sands of the Gorges d'Apremont.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
William T. Walters, Baltimore, before 1889 [mode of acquisition unknown]; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2014-2016 | From Rye to Raphael: The Walters Story. The Walters Art Museum, Baltimore. |
2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
2004-2005 | The Road to Impressionism: Landscapes from Corot to Manet. The Walters Art Museum, Baltimore. |
1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Conservation
Date | Description | Narrative |
---|---|---|
1/1/2002 | Treatment | examined for exhibition; re-housed; mounted; cleaned |
Geographies
France (Place of Origin)
Measurements
H: 10 11/16 x W: 14 15/16 in. (27.2 x 37.9 cm)
Credit Line
Acquired by William T. Walters, before 1889
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.824