Large Plate
(18th and 19th Centuries )
Deck began his career as a stove-maker, working first in Vienna, where he produced stoves for Schönbrunn Palace, and, after 1847, in Paris. At the Exposition Universelle held in Paris in 1855, he was so impressed by the Minton factory's brightly colored majolica wares that he decided to produce his own. The following year, he opened a factory for "artistic faience." Inspired by the designs and colors of Turkish Iznik wares, he developed his own range of colors, including a distinctive turquoise known as "bleu Deck." Deck employed a number of noted artists to work for him and continued to exhibit in the various international exhibitions, winning a wide following both in England and America as well as in France.
Deck derived inspiration from both Near Eastern and Asian ceramics. This example, with its bright colored plant motifs superimposed over a yellow ground with spiral patterns, was derived from Japanese 17th-century Kutani ware.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
1998-1999 | A Discerning Eye: Nineteenth-century Drawings and Watercolors. Academy Art Museum, Easton. |
1998-1999 | Botanical Delights: Floral Motifs in 19th-Century Art. Government House, Annapolis; Strathmore Hall Art Center, North Bethesda; Academy Art Museum, Easton. |
Geographies
France, Paris (Place of Origin)
Measurements
H: 2 9/16 x Diam: 19 7/16 in. (6.5 x 49.4 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
48.1909