Chalice with Saints and Scenes from the Life of Christ
(Medieval Europe )
The stem and cup of this chalice were probably made in Germany ca. 1500 and are later than the base, which has been attributed to Bohemia or Austria and dated ca. 1400. The enamels contain an image of the apostle Andrew (holding the X-shaped cross on which he died), to whom the church where the chalice was used was probably dedicated. Around it are the Annunciation, Crucifixion, Resurrection, and Ascension (with Christ disappearing in the clouds). The last scene shows St. Martin (316-97), bishop of Tours (France), celebrating mass as divine flames descend upon an altar with a chalice upon it.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Raoul Heilbronner, Paris [date of acquisition unknown], by purchase; Henry Walters, Baltimore, 1913, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
2008-2009 | Realms of Faith: Medieval and Byzantine Art from the Walters Art Museum. Museum of Biblical Art, New York; Colby College Museum of Art, Waterville; Joslyn Art Museum, Omaha. |
1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
1962 | The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
4/3/1948 | Treatment | cleaned; coated |
1/31/1957 | Treatment | cleaned |
10/2/1962 | Treatment | cleaned; coated |
11/28/2007 | Examination | examined for condition |
Measurements
7 5/16 x 5 1/8 in. (18.5 x 13 cm)
Credit Line
Acquired by Henry Walters, 1913
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
44.116