The central scene of this altarpiece depicts the enthroned Madonna and Child flanked by angels. The Christ Child holds a tiny European goldfinch, a symbol of his resurrection. The bird is tethered, a reminder that, in the 14th century, such animals were kept as pets by children. Angels present Mary with chalices of white flowers, alluding to her purity. On the left appear the Annunciation and the Crucifixion, while Christ's Presentation in the Temple and the Coronation of the Virgin are on the right.
The delicate punch-work decoration and the slender, graceful figures reveal the influence of Sienese painting. Catalan artists learned the style and techniques of Italian painting by examining imported Italian works in local churches; some even traveled to Italy to perfect their craft.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Henry Walters, Baltimore, 1931 [mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Exhibitions
1962
The International Style: The Arts in Europe Around 1400. The Walters Art Gallery, Baltimore.
Conservation
Date
Description
Narrative
1/1/1900
Examination
examined for condition
12/1/1937
Examination
examined for condition
1/1/1991
Treatment
examined for condition
1/27/1991
Treatment
examined for condition
7/1/2011
Treatment
cleaned; coated; filled; inpainted; loss compensation