À quinze ans, moi, j'etais pas 'core formée
(18th and 19th Centuries )
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Henri Didier Sale, Hotel Drouot, Paris, June 16-17, 1868, no. 113; William T. Walters, Baltimore, 1868, by purchase; Henry Walters, Baltimore, 1894, by inheritance; Walters Art Museum, 1931, by bequest.
Exhibitions
2005-2006 | The Essence of Line: French Drawings from Ingres to Degas. The Walters Art Museum, Baltimore; Baltimore Museum of Art, Baltimore; Birmingham Museum of Art, Birmingham; Tacoma Art Museum, Tacoma. |
1998-1999 | Botanical Delights: Floral Motifs in 19th-Century Art. Government House, Annapolis; Strathmore Hall Art Center, North Bethesda; Academy Art Museum, Easton. |
1998-1999 | A Discerning Eye: Nineteenth-century Drawings and Watercolors. Academy Art Museum, Easton. |
1993 | Gavarni. The Walters Art Gallery, Baltimore. |
1954 | French Pre-Impressionist Painters of the Nineteenth Century. Winnipeg Art Gallery, Winnipeg. |
1950 | French Painting from David to Courbet. The Detroit Institute of Arts, Detroit. |
Conservation
Date | Description | Narrative |
---|---|---|
1/1/2002 | Treatment | examined for exhibition; re-housed; other |
Geographies
France (Place of Origin)
Measurements
H: 12 13/16 x W: 7 7/8 in. (32.5 x 20 cm)
Credit Line
Acquired by William T. Walters, 1868
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1459