Creative Commons License
Creative Commons License
The Holy Family with Saints John the Baptist and Jerome
(Renaissance Europe )
For the most recent discussion of this painting in the context of painting in Brescia, a city influential for Giampietro Silvio's early work, and Venice, where the painting is thought to have been executed, see Alessandro Ballarin, "Giampetietro Silvio," in the author's La "Salomè" del Romanino ed altri studi sulla Pittura Bresciana del Cinquecento, ed. Barbara Maria Savy, (Padua: Bertoncello Artigrafiche, 2006), vol. 1, 217-154, especially 246-47.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Marquess Filippo Marignoli, Rome and Spoleto, until 1898 [mode of acquisition unknown]; Marquess Francesco Marignoli, 1898 [mode of acquisition unknown]; Don Marcello Massarenti Collection, Rome, 1899 [mode of acquisition unknown] [1900 catalogue supplement: no. 21, as Palma Vecchio]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Geographies
Italy, Veneto, Venice (Place of Origin)
Measurements
Painted surface H: 22 1/16 x W: 39 5/16 x D excluding cradle: 3/8 in. (56.1 x 99.8 x 1 cm); Framed H: 28 x W: 45 x D: 1 1/2 in. (71.12 x 114.3 x 3.81 cm)
Credit Line
Acquired by Henry Walters with the Massarenti Collection, 1902
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.1070