The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion
(Manuscripts and Rare Books, Medieval Europe )
This eleventh-century Gospel Lectionary was written in a clear Carolingian minuscule in Regensburg, Germany. Its remarkable treasure binding, which is original to the manuscript, is extremely fragile due to the Byzantine or Islamic silk that constitutes the spine; therefore it is not possible to image the entire manuscript. The cover, which alone has been photographed, is a rare survival and a rich example of Ottonian art. Bound in silver, the front cover displays an impressive mastery of filigree, segments of which have been gilded. A variety of textures and substances, including niello bosses in the corners, ivory plaques depicting the four Evangelists, gemstones (now lost), and a golden image of the Crucifixion beneath a polished rock crystal, give the cover an opulence rarely seen in medieval bookbinding. The back cover, necessarily flat to lie on the altar without damaging the decoration, consists of a sheet of hammered and gilded silver, engraved with an image of St. Michael slaying a dragon. This image has traditionally led to an association with the abbey of SS. Peter and Michael in Mondsee, Austria, but its more recent attribution to Othlon, a scribe active in Regensburg, suggests that it is more likely of German manufacture.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Jacques Rosenthal [art dealer], Munich, early 20th century [mode of acquisition unknown]; Henry Walters, Baltimore, between 1925-1931, by purchase; Walters Art Museum, 1931, by bequest.
Exhibitions
2016 | Waste Not: The Art of Medieval Recycling. |
2010-2011 | Treasures of Heaven. The Cleveland Museum of Art, Cleveland; The Walters Art Museum, Baltimore; The British Museum, London. |
2006-2007 | In the Beginning: Bibles Before the Year 1000. Freer Gallery of Art, Washington. |
2006 | Schatzkammer: Henry Walters' German Manuscripts. The Walters Art Museum, Baltimore. |
2004 | Illuminating the Word: Gospel Books in the Middle Ages. The Walters Art Museum, Baltimore. |
1997-1998 | Covered in Meaning: Book Bindings from The Walters. The Walters Art Gallery, Baltimore. |
1988 | Judging a Book by its Cover: Fine Bindings. The Walters Art Gallery, Baltimore. |
1987 | Regensburger Buchmalerei: Von frühkarolingischer Zeit bis zum Ausgang des Mittelalters. Museen der Stadt Regensburg, Regensburg. |
1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
1983-1984 | Ivory: The Sumptuous Art. The Walters Art Gallery, Baltimore. |
1977-1978 | Splendor in Books. Grolier Club, New York; The Walters Art Gallery, Baltimore. |
1967 | Liturgical Objects in The Walters Art Gallery. The Walters Art Gallery, Baltimore. |
1965 | 2,000 Years of Calligraphy. The Walters Art Gallery, Baltimore. |
1957-1958 | The History of Bookbinding 525-1950 A.D.. Baltimore Museum of Art, Baltimore. |
1953-1957 | 4000 Years of Modern Art. The Walters Art Gallery, Baltimore; Baltimore Museum of Art, Baltimore. |
Conservation
Date | Description | Narrative |
---|---|---|
9/27/1983 | Treatment | examined for exhibition |
11/11/1985 | Treatment | repaired |
Geographies
Germany, Regensburg
(Place of Origin)
Germany (Kid-Friendly)
Measurements
H: 11 5/8 x W: 9 1/16 x D: 4 1/8 in. (29.6 x 23 x 10.4 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Centre Street: Third Floor: Migration and Early Medieval Art
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.8