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Image for The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion
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Image for The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion
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The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail
The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail
The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail
The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail
The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail
The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail
The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail
The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion Thumbnail

The Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion

Othlon of Regensburg (German, active ca. 1030-ca. 1050) (Scribe)
German (Artist)
11th-12th century with later additions and alterations (Medieval)
ink and paint on finely prepared parchment bound between oak boards covered with leather, silk damask, silver filigree, gilded panels, ivory, niello, gold leaf, and rock crystal
(Manuscripts and Rare Books, Medieval Europe )

This eleventh-century Gospel Lectionary was written in a clear Carolingian minuscule in Regensburg, Germany. Its remarkable treasure binding, which is original to the manuscript, is extremely fragile due to the Byzantine or Islamic silk that constitutes the spine; therefore it is not possible to image the entire manuscript. The cover, which alone has been photographed, is a rare survival and a rich example of Ottonian art. Bound in silver, the front cover displays an impressive mastery of filigree, segments of which have been gilded. A variety of textures and substances, including niello bosses in the corners, ivory plaques depicting the four Evangelists, gemstones (now lost), and a golden image of the Crucifixion beneath a polished rock crystal, give the cover an opulence rarely seen in medieval bookbinding. The back cover, necessarily flat to lie on the altar without damaging the decoration, consists of a sheet of hammered and gilded silver, engraved with an image of St. Michael slaying a dragon. This image has traditionally led to an association with the abbey of SS. Peter and Michael in Mondsee, Austria, but its more recent attribution to Othlon, a scribe active in Regensburg, suggests that it is more likely of German manufacture.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Jacques Rosenthal [art dealer], Munich, early 20th century [mode of acquisition unknown]; Henry Walters, Baltimore, between 1925-1931, by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2016 Waste Not: The Art of Medieval Recycling.
2010-2011 Treasures of Heaven. The Cleveland Museum of Art, Cleveland; The Walters Art Museum, Baltimore; The British Museum, London.
2006-2007 In the Beginning: Bibles Before the Year 1000. Freer Gallery of Art, Washington.
2006 Schatzkammer: Henry Walters' German Manuscripts. The Walters Art Museum, Baltimore.
2004 Illuminating the Word: Gospel Books in the Middle Ages. The Walters Art Museum, Baltimore.
1997-1998 Covered in Meaning: Book Bindings from The Walters. The Walters Art Gallery, Baltimore.
1988 Judging a Book by its Cover: Fine Bindings. The Walters Art Gallery, Baltimore.
1987 Regensburger Buchmalerei: Von frühkarolingischer Zeit bis zum Ausgang des Mittelalters. Museen der Stadt Regensburg, Regensburg.
1984-1985 Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore.
1983-1984 Ivory: The Sumptuous Art. The Walters Art Gallery, Baltimore.
1977-1978 Splendor in Books. Grolier Club, New York; The Walters Art Gallery, Baltimore.
1967 Liturgical Objects in The Walters Art Gallery. The Walters Art Gallery, Baltimore.
1965 2,000 Years of Calligraphy. The Walters Art Gallery, Baltimore.
1957-1958 The History of Bookbinding 525-1950 A.D.. Baltimore Museum of Art, Baltimore.
1953-1957 4000 Years of Modern Art. The Walters Art Gallery, Baltimore; Baltimore Museum of Art, Baltimore.

Conservation

Date Description Narrative
9/27/1983 Treatment examined for exhibition
11/11/1985 Treatment repaired
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Geographies

Germany, Regensburg (Place of Origin) Germany (Kid-Friendly)

Measurements

H: 11 5/8 x W: 9 1/16 x D: 4 1/8 in. (29.6 x 23 x 10.4 cm)

Credit Line

Acquired by Henry Walters

Location in Museum

Centre Street: Third Floor: Migration and Early Medieval Art

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

W.8

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Related Objects

Image for Binding for the Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion

Binding for the Mondsee Gospels and Treasure Binding with the Evangelists and Crucifixion

Othlon of Regensburg (German, active ca. 1030-ca. 1050)
11th or 12th century with later additions and alterations
view details

Hours

  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
  • Monday—Tuesday: Closed

Location

600 N. Charles St.
Baltimore, MD
21201

Phone

410-547-9000

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