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Image for Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter
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Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter Thumbnail
Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter Thumbnail
Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter Thumbnail
Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter Thumbnail
Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter Thumbnail
Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter Thumbnail

Leaf from the Reichenau Gospels: An Abbot Presents the Book to Saint Peter

German (Artist)
mid 11th century (Medieval)
ink and paint on thick, white, unpolished parchment
(Manuscripts and Rare Books, Medieval Europe )

The dedication image found at the beginning of this German Gospel Book provides fascinating insights into this manuscript's history. On the left, a figure dressed in rich clerical garb hands a book (indeed, this very book we are looking at) to Saint Peter, the patron saint of the church in which the two figures are standing. The saint, who was traditionally the gatekeeper of Heaven, can be recognized because he holds the door to Heaven in his left hand. The book is intended for the altar behind him, and the hand of God blesses the gift from on high.

This Gospel Book is believed to come from the Abbey of Reichenau, on Lake Constance, on the basis of its script and illumination. The decoration of the manuscript places it in the so-called Luithar school of Reichenau. Its ornamental motifs compare very closely with those in Munich, Bayerische Staatsbibliothek Clm 4453, and its palette is nearly identical to that in the Reichenau manuscripts of the Bamberg Cathedral Treasury. Gold initials begin each paragraph as well as the introductory words of each chapter; they are a distinct mark of Reichenau manufacture. The manuscript's text is written in Caroline minuscule. As a whole, it is an excellent example of Ottonian book illumination.

Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.

Abbey of St. Peter, Reichenau (?), mid-11th century; German Library, 19th century [date and mode of acquisition unknown, no. 203]; Sir Thomas Brooke, Huddersfield, Yorkshire, after 1854 [acquired from the dealer G.I. Ellis, mode of acquisition unknown]; Ingraham Brooke, Sotheby's March 7, 1913, lot 8; Leon Gruel, after 1913 [mode of acquisition unknown]; Henry Walters, Baltimore [date of acquisition unknown], by purchase; Walters Art Museum, 1931, by bequest.

Exhibitions

2009 The Saint John's Bible: A Modern Vision through Medieval Methods. The Walters Art Museum, Baltimore.
2006 Schatzkammer: Henry Walters' German Manuscripts. The Walters Art Museum, Baltimore.
1987 Real People in the Middle Ages: Donor Portraits in Illuminated Manuscripts. The Walters Art Gallery, Baltimore.
1984-1985 Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore.
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Geographies

Germany, Reichenau (Place of Origin)

Measurements

H: 9 1/8 x W: 6 9/16 in. (23.1 x 16.6 cm)

Credit Line

Acquired by Henry Walters

Location in Museum

Not on view

Accession Number

In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.

W.7.9V

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Parent Object

Image for Reichenau Gospels

Reichenau Gospels

German
mid 11th century (Medieval)
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  • Wednesday—Sunday: 10 a.m.—5 p.m.
  • Thursday: 1–8 p.m.
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600 N. Charles St.
Baltimore, MD
21201

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410-547-9000

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