Creative Commons License
Creative Commons License
Creative Commons License
Musician Angels and the Harrowing of Hell
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Lady Marie de Viane at Cambron, 1290, by commission; First daughter of Lady Marie de Viane at Cambron [date of acquisition unknown], by gift; Convent of Saint Marie de Beaupré near Grammont, Belgium, until the French Revolution [mode of acquisition unknown]; John Ruskin, ca, 1853 [mode of acquisition unknown]; Sale, London (?), June 22, 1921, III, no. 67; Henry Yates Thompson, London [date and mode of acquisition unknown]; Sale, June 7, 1932, I, no. 15; A. Chester Beatty [date and mode of acquisition unknown]; William Randolph Hearst [date and mode of acquisition unknown]; William Randolph Hearst Foundation [date and mode of acquisition unknown]; Walters Art Museum, 1957, by gift.
Exhibitions
| 2014 | Seeing Music in Medieval Manuscripts. The Walters Art Museum, Baltimore. |
| 2002 | Medieval Mastery, Book Illumination from Charlemagne to Charles the Bold (Meesterlijke Middeleeuwen). Stedelijik Museum Vander Kelen-Mertens, Leuven. |
| 1988-1989 | Making Music in Medieval Manuscripts. The Walters Art Gallery, Baltimore. |
| 1984-1985 | Illuminated Manuscripts: Masterpieces in Miniature. The Walters Art Gallery, Baltimore. |
Geographies
Belgium, Hainaut (Place of Origin)
Measurements
H: 18 15/16 x W: 13 5/8 in. (48.1 x 34.6 cm)
Credit Line
Gift of the William R. Hearst Foundation, 1957
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
W.759.2R
