Creative Commons License
Creative Commons License
Adoration of the Magi
(Renaissance Europe )
"Wise men from the East," in the Gospel of Matthew's account of Christ's birth, saw a new star and, believing it to be a divine omen, came to honor the one marked for future greatness. Whether extraordinary appearances must be divinely ordained or could be random was a "hot" question in the 1600s. The wise men were traditionally depicted as of different ages, and, by the Renaissance, the youngest was depicted as an African, probably to reflect the universal acknowledgment of Christ's divinity.
The artist could have encountered Africans in Antwerp. In addition, Pieter Coecke traveled to Constantinople in 1533 to work for the Turkish Sultan. Woodcuts based on his drawings--The Customs and Fashions of the Turks-- were published in 1553 after his death by his widow. From this experience, he knew quite well how to depict inhabitants of the Muslim world.
The altarpiece, of a size for a small chapel, was commissioned by Elisabeth van Langenhove, according to the damaged inscription on the frame. Nothing more is known about her; this is especially unfortunate as there are few altarpieces that bear only the name of a woman patron.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
Henry Walters, Baltimore [date and mode of acquisition unknown]; Walters Art Museum, 1931, by bequest.
Conservation
| Date | Description | Narrative |
|---|---|---|
| Examination | examined for condition | |
| Treatment | other | |
| Treatment | loss compensation | |
| 6/8/1938 | Treatment | repaired |
| 6/8/1938 | Treatment | other |
| 1/6/1941 | Treatment | coated; cleaned; loss compensation |
| 1/6/1941 | Treatment | cleaned; coated; inpainted; other |
| 9/1/1957 | Treatment | coated; cleaned; loss compensation; repaired |
| 9/1/1957 | Treatment | coated; inpainted; varnish removed or reduced |
| 10/26/1957 | Examination | examined for condition |
| 12/8/1969 | Treatment | coated; loss compensation; other |
| 12/16/1969 | Treatment | coated; inpainted; loss compensation |
| 9/14/1984 | Examination | examined for condition |
| 9/1/1985 | Treatment | coated; loss compensation |
| 9/1/1985 | Treatment | cleaned; loss compensation |
| 9/17/1985 | Treatment | loss compensation; cleaned; coated; re-housed; other |
| 9/17/1985 | Treatment | coated; inpainted; loss compensation; varnish removed or reduced |
| 6/1/1986 | Technical Report | other |
| 6/1/1986 | Technical Report | examined for technical study |
| 2/1/1987 | Treatment | coated; loss compensation; repaired |
| 2/1/1987 | Treatment | coated; filled; inpainted; varnish removed or reduced |
| 11/1/1996 | Treatment | inpainted |
| 11/1/1996 | Treatment | loss compensation |
| 3/9/2011 | Examination | examined for condition |
Geographies
Belgium, Brussels (Place of Origin)
Measurements
H: 39 1/2 x W: 54 in. (100.3 x 137.1 cm)
Credit Line
Acquired by Henry Walters
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.254