The Holy Family with Angels
(Renaissance Europe )
Enthroned as Queen of Heaven, Mary holds her son, who turns with an affectionate gesture to embrace Saint Joseph while angels play music. Mary's husband is pictured as an old man who needs to use glasses to read. The inscription on the scroll below tells us that Mary was both mother and virgin, and Joseph's old age testifies to the Christian miracle of the virgin birth. The painting was probably the central part of a polyptych (an altarpiece consisting of several panels).
Rather than looking to ancient art as a model as so many of his Italian contemporaries did, Defendente Ferrari considered northern European painting with its close attention to naturalistic detail to be a proper source for engaging religious art.
Inscription
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object.
Don Marcello Massarenti Collection, Rome [date and mode of acquisition unknown] [1897 catalogue: no. 90, as manner of Filippo Lippi]; Henry Walters, Baltimore, 1902, by purchase; Walters Art Museum, 1931, by bequest.
Conservation
Date | Description | Narrative |
---|---|---|
Examination | examined for condition | |
10/25/1939 | Treatment | repaired; cleaned; coated; re-housed |
6/28/1942 | Treatment | cleaned; loss compensation; coated |
1/1/1953 | Examination | examined for condition |
10/14/1964 | Treatment | coated; loss compensation |
Geographies
Italy, Piedmont (Place of Origin)
Measurements
Painted surface H: 57 7/8 x W: 28 3/8 x D excluding cradle: 3/8 in. (147 x 72 x 1 cm)
Credit Line
Acquired by Henry Walters with the Massarenti Collection, 1902
Location in Museum
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
37.711