Creative Commons License
Milo of Croton
(18th and 19th Centuries )
This circular relief has been broken and repaired. It is in a wooden frame, and is a plaster proof of the relief made by Barye in 1819 for the competition at the Ecole des Beaux Arts for the Prix de Rome. For the bronze version see WAM 27.507.
Provenance
Provenance (from the French provenir, 'to come from/forth') is the chronology of the ownership, custody, or location of a historical object. Learn more about provenance at the Walters.
William T. / Henry Walters Collection, Baltimore [date and mode of acquisition unknown] (?); Walters Art Museum, 1931, by bequest.
Exhibitions
| 2007-2008 | Untamed: The Art of Antoine-Louis Barye. The Walters Art Museum, Baltimore; Philbrook Museum of Art, Tulsa; The Henry Morrison Flagler Museum, Palm Beach. |
| 1889-1890 | The Works of Antoine-Louis Barye. American Art Gallery (New York), New York. |
Geographies
France, Paris (Place of Origin)
Measurements
D: 1/4 x Diam: 2 7/8 in. (0.64 x 7.3 cm)
Credit Line
Acquired by William T. or Henry Walters (?)
Location in Museum
Not on view
Accession Number
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
In libraries, galleries, museums, and archives, an accession number is a unique identifier assigned to each object in the collection.
27.191
